Currently at Parsons, The New School, studying Communication Design.
Her work largely revolves around graphic design, brand development, interaction,
motion graphics, illustration, & typography.
send me
an email
Currently at Parsons, The New School, studying Communication Design.
Her work largely revolves around graphic design, brand development, interaction,
motion graphics, illustration, & typography.
send me
an email
I designed an analog calendar for 2026 inspired by my trip to Ireland. All imagery is my own. Designed in Adobe.
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Sold out 50 copies! )
This project explores the contrast between dreams and reality and the often blurry line that exists at their intersection.
Here I use warping typography, blinking effects, and choppy stop motion to reiterate the unfinished, unsettling nature of dreams. I use these effects in tandem with a sturdy sans serif typeface that represents the static nature of reality. The background imagery is meant to seem familiar but just out of reach, coming in and out of focus, representing the complexity of consciousness.
I reimagined a record label from the 70’s, STAX. I created a dynamic logo ident as well as posters, Youtube landing page, OOH mockups, an updated logo, and more...
“Linger” is a silkscreen 9 edition print. In this project, I thought about the idea of visiting people in your subconscious and dreams, which is where the quote “You were in my dream last night” comes from. The image is one of my late aunt and my two cousins that I warped on the top and bottom to frame the central image. I wanted this composition to feel dreamlike and ethereal to represent both the quote and subject matter.
These covers are from my Contemporary Book Cover Design class at Parsons.
This project explores how society, particularly under patriarchal systems, has historically perceived women who engage in forms of magic and non-religious spiritual practices. Women associated with mysticism have often been silenced, marginalized, and even punished for practicing beliefs outside of dominant religious structures. They have frequently been labeled as “evil” or “monstrous,” reinforcing harmful stereotypes that persist in cultural narratives.
At the same time, witchcraft is a complex and multifaceted practice, often rooted in a deep connection to the natural world and an embrace of intuition, embodiment, and the perceived power of womanhood. This project both celebrates the figure of the modern witch and critically examines the long history of systemic marginalization surrounding these practices.
My design choices have pulled from historic tarot decks, the colors of Hilma af Klint, and the natural world. I use the moon motif to reference the cyclical nature of this oppression, to act as a window into this overlooked topic, and because women are said to be of the moon as men are of the sun. Much of my designed could be described as layered and pulled from historical sources, which help reiterate the nuances of this exhibition.
the website